A Poet and an Architect free essay sample

It is a movement originating in Italy in the 1960s which rejected the functionalist and technological preoccupations of mainstream Modernism, advocating a rationalist approach to design based on an awareness of formal properties. Ђ Architecture of the City o Focuses on the importance of the city and its architecture, and is in parta protest against the pure functionalism of the Modern Movement. o For Rossi the city is a by current architectural practices. o He believes that relying on function alone to define architecture misses the true meaning of a city. o He argues that a city must be studied and valued as a manmade object constructed over time. That urban architecture is intrinsically connected with the overall city. Scientific Autobiography o This revealing memoir by Aldo Rossi (1937-1997) one of the most visible and controversial figures ever on the international architecture scene, intermingles discussions of Rossis architectural projects† including the major literary and artistic influences on his work†with his personal history. We will write a custom essay sample on A Poet and an Architect or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page o Drawn from notebooks Rossi kept beginning in 1971, these ruminations and reflections range from his obsession with theater to his concept of architecture as ritual. WORKS: Gallaratese 2 Residential Complex, Milan, 1969-73 San Cataldo Cemetery, Modena, 1971, 1978-84 Pavillon in Borgo Ticino, Borgo Ticino, 1973 Teatro del Mondo, Venice, 1979-80 Wohnanlage La Villette, Paris, 1986-91 School of Architecture, University of Miami, Miami, 1986-93 Fukuoka, 1987-89 Disney Office Complex in Disneyland, Orlando, 1991-94 Quartier SchÃ'Ëœtzenstrasse, Berlin-Mitte, 1995-97 Scholastic Building in New York TEATRO DEL MONDO Hotel il Palazzo, The theatre, in which the architecture serves as a possible background, a setting, a building that can be calculated and transformed into the measurements and concrete materials of an often elusive feeling, has been one of my passions. Constructed for the 1979-80 Venice Biennale, embodies Rossis ideas about architecture but exceeds them in the imaginative solution he created, partly due to his infatuation with the theatre. As Rossi reiterated throughout his career that architecture provides a stage for life, with public spaces acting as backdrops for lifes experiences. Ђ With neither theatre nor architecture existing without an event, Rossi focuses on the unexpect ed occurrences, the ever-changing meanings of a place due to ever-changing events. His theater is not a place solely to watch performances but lso a place to be watched, a place to observe and to be observed. This is accomplished on two levels, by placing the theatre as an object in the water and, on the inside, by placing the stage in the centre of the seats. As spectators become part of the backdrop for the theatrical event, the city of Venice is drawn inside through window openings in the upper balconies. Uneasiness occurs as the people sitting in these areas are aware of the presence of boats and the visual rise and fall of the theatre on the water.